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To my surprise, it's a Sandra Bullock movie. I walked into Gravity mistakenly thinking it was a George Clooney vehicle. The experience was otherworldly, self-reflective and dangerous all at the same time. After all, all astronauts are just little fishes trying to survive out of their own habitat. Finally, I was awed by the fragility of human life. It was as if for a second I was watching waves wash ashore on a beach while reading J. I began to marvel at the destruction and momentarily thought deep thoughts. Then there was the solemn beauty of witnessing the space stations being decimated in space. Firstly, outer space and the beauty of Earth from a distance awed me. I was in sheer awe through the entirety of Gravity. As science fiction thematically explores the extreme potential of mankind, awe is an important component to every science fiction story.
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But eventually I tapped out and let the movie spectacle just wash over me. It looked like the cameraman was really floating around with the actors.
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The camera loops, twirls, corkscrews around space, completely forgoing the human sense of up and down. The camera floats freely around the astronauts in space in long takes, occasionally shifting from third person perspective to first person. I couldn't figure out how these long shots were accomplished. Since Children of Men, Alfonso Cuarón takes his love of the long take and brings it to new levels. This is what happened to me during Alfonso Cuarón's Gravity. When the audience can't figure out what's real and what's not, they will believe it. In my opinion, the key to making special effects convincing on screen is designing the effect to look somewhere between real and unreal.